There are 10s of notes jockeying for position at the forefront of your attention at every instant. It spirals and darts and weaves and interweaves. It drops away suddenly into a drum or a bass solo and returns thrashing like a crocodile in a vat of acid.
For the most part, however, it is not my bag. It's too vague and repetitive for my taste and the so-called 'Trane is not inspirational to me, an aspirational saxophonist. Well, that's not strictly true. The opening of part 2 of this 4 part concept (Resolution) has a lovely main melody (or "head" as the jazzers call it) and as he plays it, I can hear purity, texture and intonation that I would sell a kidney to have. It is only when he goes into one that he loses me with that esoteric squawking and the seemingly random interval jumping bringing me to picture a pissed vampire going round a crazy golf course. At noon.
Haven't mentioned the piano player yet though have I? Holy Mother Of Fuck. His name is McCoy Tyner and I have never heard anybody as fast or as precise. That's not much of a yardstick, I realise but these 4 stars are given mainly because I will be returning to this album mostly just to listen to his playing. It is very rare that I listen to a piano player and with jaw already dropped have to shout at the stereo to fuck off.
I used to have a running joke with my friends that when I was really impressed with somebody I would say, "if I ever meet him I'm gonna smack him in the face".
McCoy Tyner is still alive, y'know. He might still have time to make .pd.'s shiner list.
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Opinions are like arseholes. They're never wrong. But I'd rather you express one than be the other :-)